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About | Classical Genetics | Timelines | What's New | What's Hot

About | Classical Genetics | Timelines | What's New | What's Hot

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The Electronic Scholarly Publishing Project: Providing access to classic scientific papers and other scholarly materials, since 1993. More About:  ESP | OUR CONTENT | THIS WEBSITE | WHAT'S NEW | WHAT'S HOT

ESP Timelines

Comparative Timelines

The ESP Timeline (one of the site's most popular features) has been completely updated to allow the user to select (using the timeline controls above each column) different topics for the left and right sides of the display.

Select:

New Left Column

New Left Column

Dates

Decade

New Right Column

New Right Column

image Painting by Georges de La Tour: Magdalene with the Smoking Flame has been allotted the date of 1640, by analogy with the Saint Mary with a Mirror, which has been dated between 1635 and 1645. During the 17th century, great devotion was shown to Mary Magdalene in all Catholic countries. She was the perfect lover of Christ, her beauty made yet more appealing by reason of her repentance, which had a special attraction for a period so passionately interested in problems of mysticism, quietism and asceticism. The theme of the repentance of sinners and trials sent by God is illustrated in such subjects as the Repentance of St. Peter, Mary Magdalene and Job. A number of written works give evidence of the cult of the Magdalene and this cult was the more widespread since Provence owned two great sanctuaries dedicated to her: the grotto of La Sainte-Baume, and the Saintes-Maries-de-la-Mer. It has been suggested that Georges de La Tour took a gypsy as his model: at the time, there were many in Lorraine where he painted this picture.

1640

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image Painting by Frans Hals: Regents of the St. Elizabeth Hospital

image Painting by Simon Vouet: Presentation in the Temple

1641

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image Painting by José de Ribera: The Clubfooted Boy is housed in the Musée du Louvre in Paris (part of the La Caze bequest of 1869), and was painted in Naples. Art historian Ellis Waterhouse wrote of it as "a touchstone by which we can interpret the whole of Ribera's art". Commissioned by a Flemish dealer, the painting features a Neapolitan beggar boy with a deformed foot. Behind him is a vast and luminous landscape, against which the boy stands with a gap-toothed grin, wearing earth-toned clothes and holding his crutch slung over his left shoulder. Written in Latin on the paper in the boy's hand is the sentence "DA MIHI ELEMOSINAM PROPTER AMOREM DEI" ("Give me alms, for the love of God"). This is one of the painter's last works, and one of the most bitter.

image Painting by Rembrandt: The Night Watch is renowned for three characteristics: its colossal size (363 cm × 437 cm (11.91 ft × 14.34 ft)), the effective use of light and shadow (tenebrism) and the perception of motion in what would have traditionally been a static military portrait. The painting was completed in 1642, at the peak of the Dutch Golden Age. It depicts the eponymous company moving out, led by Captain Frans Banning Cocq (dressed in black, with a red sash) and his lieutenant, Willem van Ruytenburch (dressed in yellow, with a white sash). With effective use of sunlight and shade, Rembrandt leads the eye to the three most important characters among the crowd: the two gentlemen in the centre (from whom the painting gets its original title), and the woman in the centre-left background carrying a chicken. Behind them, the company's colours are carried by the ensign, Jan Visscher Cornelissen.

1642

Pascal's calculator or the Pascaline constructed

image The mezzotint printmaking method was invented by the German amateur artist Ludwig von Siegen. Mezzotint is a printmaking process of the intaglio family, technically a drypoint method. It was the first tonal method to be used, enabling half-tones to be produced without using line- or dot-based techniques like hatching, cross-hatching or stipple. Mezzotint achieves tonality by roughening the plate with thousands of little dots made by a metal tool with small teeth, called a "rocker." In printing, the tiny pits in the plate hold the ink when the face of the plate is wiped clean. A high level of quality and richness in the print can be achieved.

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1643

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1644

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1645

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1646

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1647

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image Painting by Nicolas Poussin: The Holy Family on the Steps

In France, King Louis XIV establishes The Royal Academy of Painting and Sculpture.

1648

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1649

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ESP Quick Facts

ESP Origins

In the early 1990's, Robert Robbins was a faculty member at Johns Hopkins, where he directed the informatics core of GDB — the human gene-mapping database of the international human genome project. To share papers with colleagues around the world, he set up a small paper-sharing section on his personal web page. This small project evolved into The Electronic Scholarly Publishing Project.

ESP Support

In 1995, Robbins became the VP/IT of the Fred Hutchinson Cancer Research Center in Seattle, WA. Soon after arriving in Seattle, Robbins secured funding, through the ELSI component of the US Human Genome Project, to create the original ESP.ORG web site, with the formal goal of providing free, world-wide access to the literature of classical genetics.

ESP Rationale

Although the methods of molecular biology can seem almost magical to the uninitiated, the original techniques of classical genetics are readily appreciated by one and all: cross individuals that differ in some inherited trait, collect all of the progeny, score their attributes, and propose mechanisms to explain the patterns of inheritance observed.

ESP Goal

In reading the early works of classical genetics, one is drawn, almost inexorably, into ever more complex models, until molecular explanations begin to seem both necessary and natural. At that point, the tools for understanding genome research are at hand. Assisting readers reach this point was the original goal of The Electronic Scholarly Publishing Project.

ESP Usage

Usage of the site grew rapidly and has remained high. Faculty began to use the site for their assigned readings. Other on-line publishers, ranging from The New York Times to Nature referenced ESP materials in their own publications. Nobel laureates (e.g., Joshua Lederberg) regularly used the site and even wrote to suggest changes and improvements.

ESP Content

When the site began, no journals were making their early content available in digital format. As a result, ESP was obliged to digitize classic literature before it could be made available. For many important papers — such as Mendel's original paper or the first genetic map — ESP had to produce entirely new typeset versions of the works, if they were to be available in a high-quality format.

ESP Help

Early support from the DOE component of the Human Genome Project was critically important for getting the ESP project on a firm foundation. Since that funding ended (nearly 20 years ago), the project has been operated as a purely volunteer effort. Anyone wishing to assist in these efforts should send an email to Robbins.

ESP Plans

With the development of methods for adding typeset side notes to PDF files, the ESP project now plans to add annotated versions of some classical papers to its holdings. We also plan to add new reference and pedagogical material. We have already started providing regularly updated, comprehensive bibliographies to the ESP.ORG site.

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Timeline

The new, dynamic Timeline from the Electronic Scholarly Publishing Project gives users more control over the timeline display.

We seek your suggestions for timeline content, both for individual events and for entire subjects.

To submit a correction or a recommendation or to propose new Timeline content (or to volunteer as a Timeline Editor), click HERE.

The Electronic Scholarly Publishing Project needs help: with acquiring content, with writing, with editing, with graphic production, and with financial support.

CLICK HERE to see what ESP needs most.

ESP Picks from Around the Web (updated 06 MAR 2017 )